'her brushwork is free and fluid, the colors nearly pure in saturation. She utilizes the fluidity and transparency of water to form an ambiguous and unique spiritual charm in her paintings, which can be described as "painting within painting."' 

 

- Wang Mingxian (1954-2025)

art historian, critic and curator

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'Her techniques have no limitations. Sometimes she shapes her subjects like an oil painter, and sometimes the outlines are like those of a charcoal artist. We can see from her portraits the influences of Bacon, Dumas, Schiller, Soutine, and even Van Gogh. However, these influences seem to be periodic: she can simultaneously jump from one method or style to another, depending on her personal development, as well as the appearances, personalities, and emotional states of her subjects... creating a unique dialogue with each individual subject. Her work is cross-cultural and expresses the core value of Universalismus. 

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- Zhou Yan

art critic and curator